谁嫁给了Henry Fox Talbot?
Constance Fox Talbot 结婚了 Henry Fox Talbot 。 婚礼当天,威廉·亨利·福克斯·塔爾伯特 32 岁 (32 年 10 个月零 8 天)。 婚礼当天,Constance Fox Talbot 21 岁 (21 年 10 个月零 19 天)。 年龄差距为 10 年 11 个月零 19 天.
Henry Fox Talbot
William Henry Fox Talbot (; 11 February 1800 – 17 September 1877) was an English scientist, inventor, and photography pioneer who invented the salted paper and calotype processes, precursors to photographic processes of the later 19th and 20th centuries. His work in the 1840s on photomechanical reproduction led to the creation of the photoglyphic engraving process, the precursor to photogravure. He was the holder of a controversial patent that affected the early development of commercial photography in Britain. He was also a noted photographer who contributed to the development of photography as an artistic medium. He published The Pencil of Nature (1844–1846), which was illustrated with original salted paper prints from his calotype negatives and made some important early photographs of Oxford, Paris, Reading, and York.
A polymath, Talbot was elected to the Royal Society in 1831 for his work on the integral calculus, and researched in optics, chemistry, electricity and other subjects such as etymology, the decipherment of cuneiform, and ancient history.
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Constance Fox Talbot
Constance Talbot (née Mundy, 30 January 1811 – 9 September 1880) was an English artist credited as the first woman ever to take a photograph – a hazy image of a short verse by the Irish poet Thomas Moore.
Constance, who came from Markeaton in Derbyshire, was the youngest daughter of Francis Mundy (1771–1837), Member of Parliament for that county from 1822 to 1831.
She married William Henry Fox Talbot, one of the key players in the development of photography in the 1830s and 1840s, in 1832. In 1833, during their honeymoon in Italy, her husband realised that her artistic abilities were superior to his, and began to develop a method to capture a view without draughtsmanship, which led to the negative-positive process of photography.
She briefly experimented with the process herself as early as 1839.
Her watercolours and drawings remained hidden at Lacock Abbey, Fox Talbot's home, until they were digitised by the National Trust and made publicly available.
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